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True all proceeds from the record and associated activities go to support Knox’s rehabilitation in his home town of Grey Lynn, New Zealand. But several things make this a remarkable and not just worthy record. First is the speed in which it was assembled and released. The second, which makes the first all the more impressive, is the list of contributors. A veritable roll-call of alt-rock royalty, both American (Yo La Tengo, Bonnie 'Prince' Billy, Bill Callahan, The Mountain Goats, Lou Barlow, The Magnetic Fields, Lambchop) and Antipodean (The Bats, The Chills, The Verlaines), alongside lesser known associates and acolytes, who have stepped up to give their time freely to this project. Given this diverse sprawl of bands, it is then also remarkable that the quality throughout is so consistently high – no filler here – and that Knox’s fractured lo-fi pop proves malleable enough to fit the disparate styles of the performers (you’d swear ‘Lapse’ was a Bill Callahan original). And even in the off-the-cuff performances - John Darnielle of The Mountain Goats performing straight to tape with intro addressed to Knox personally – what comes through is the reverence and respect felt for Knox.
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And one more final remarkable element: the album features the JD Salinger of alt-rock Neutral Milk Hotel’s Jeff Mangum, not only here on record to play ‘Sign The Dotted Line’ but also appearing at the May 2009 fund-raising concert in New York alongside Yo La Tengo, Sharon van Etten, Kyp Malone of TV on the Radio and many more. Cameras were banned but the Stroke website pulls together several pieces of crowd footage of the event.
A remarkable collection then and of great significance for Chris Knox personally and for his music too. I’m not sure this ever got a UK release but it can be ordered from Merge Records in the US or from Amplifier in NZ or via Amazon UK.
Final words from the Stroke website “Stay obscure long enough, and people might just cry when they finally hear you play”
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