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Early songs on the EP start are delivered by a full band, with a rosy warmth and recorded live feel to the spritely brushed drums, sparing piano and gently rising horns on lead track ‘When We Were Brothers’. As the EP progresses the instrumentation is stripped away so the final two songs are simply acoustic guitar and voice plus quivering bowed saw on ‘Hell Is...’ and gorgeous female vocals intertwining with Sheils’ own voice on ‘The Latest Greatest Comedienne’.
There is a weary creak and brittle confidence to Shiels’ voice that makes these songs ring with authenticity and bitter experience. If the subject matter sounds grim, then the intimacy of Shiels’ richly timbered, lean-close-into-your-ear tones make it a joy to lose yourself in its warm melancholy. With songs this strong, I’m not sure why I hadn’t come across Shiels before. It would be a shame (but not a surprise) if this was because of the parochialism of an English-centric music industry and media. As Shiels shows on this fine EP, this is music too good to be overlooked for petty reasons of geography.
When We Were Brothers - Robyn G Shiels
Robyn G Shiels The Great Depression [BUY]
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