
It’s an eclectic mix; my favourites being the magnificently gloomy piano-led Americana of Jo Rose and the angular prog-wave of Dutch Uncles. I'm also pleasantly enjoying the indie pop-rush of Airship who have surprised me with this song; my previous experience seeing one live support slot last year was not a good one.
In this interview with L&D main-man Dan Parrott on the Hey Manchester site you can read more about his motivations and belief in music made in Manchester, the reason why the sleeve is gatefold and how these artists aren’t in thrall to the Hacienda era/mythology... because given their age most of them were watching Blue Peter not visiting the club.
Spoiler Alert: the reason the sleeve is gatefold is to accommodate the above photograph of all the artists without cropping it. Aesthetic principles over business sense? ‘Broad church’ and artist-led approach to recording and releasing music? Doesn’t this sound familiar?? Scratch that thought, Love & Disaster is refreshingly free from nostalgia for a bygone era or from trying to capture or define a ‘scene’. That and the label's quiet ambition and gorgeous packaging deserves applause.
But if like me you buy the vinyl, before ripping a digital copy you should read the section of the L&D website that I missed: "Order the vinyl from any of these stores and email us a photo of you and your vinyl and we’ll send you the MP3s".
TAKEOVER [last.fm]
Dutch Uncles
Dutch Uncles [BUY]
No comments:
Post a Comment